Nano Alcohol

( Not my Model )


 <a href="https://civitai.com/models/2369997?modelVersionId=2665301" rel="noopener noreferrer nofollow" target="_blank">
 https://civitai.com/models/2369997?modelVersionId=2665301
 </a>




 This variant is pure kinetic violence expressed as graphic design. It’s defined by brutally thick black linework, a deliberately loud four-colour palette, and exaggerated, almost abstract motion language. Geometry fractures, speed lines explode outward, and impact bursts dominate the frame, often overwhelming perspective and realism on purpose. Figures are reduced to hard silhouettes and blocky forms built to survive the visual noise. Colour is weaponised, especially high-energy yellows, stark whites, deep blacks, and sharp red accents, to sell force, speed, and catastrophic momentum. It excels at explosions, crashes, colossal impacts, superhero landings, and moments where the entire image is the impact, not the aftermath

Smash

( Not my Model )


 <a href="https://civitai.com/models/2369986?modelVersionId=2665288" rel="noopener noreferrer nofollow" target="_blank">
 https://civitai.com/models/2369986?modelVersionId=2665288
 </a>




 This variant is unapologetically analogue. It’s driven by raw pen-and-ink energy: heavy linework, aggressive cross-hatching, uneven stroke pressure, broken contours, and visible paper grain and ink bleed. Colour is minimal to nonexistent, usually black ink on off-white or aged paper, with depth and mood built entirely through line density and directional hatching. Surfaces feel scratched, soaked, and worn; architecture looms through layered marks; figures carry weight through posture rather than polish. It excels at noir, historical, bleak fantasy, and psychological scenes where texture, decay, and human fatigue are the point, and the drawing is allowed to feel imperfect, physical, and slightly angry

Ink Texture

( Not my Model )


 <a href="https://civitai.com/models/2369973?modelVersionId=2665274" rel="noopener noreferrer nofollow" target="_blank">
 https://civitai.com/models/2369973?modelVersionId=2665274
 </a>




 This variant strips the Nano Alcohol language down to structure and negative space. It uses simplified geometry, restrained linework, and broad flat colour fields with carefully managed tonal contrast. Figures are reduced to calm silhouettes or lightly modelled forms, and environments are architectural first: corridors, bridges, plazas, tunnels. Emotion comes from scale, spacing, and direction rather than expression or lighting drama. It excels at isolation, contemplation, transit, and quiet authority, scenes where composition does the storytelling and nothing is allowed to be decorative unless it serves balance or rhythm

Graphic Minimal

( Not my Model )


 <a href="https://civitai.com/models/2369964?modelVersionId=2665263" rel="noopener noreferrer nofollow" target="_blank">
 https://civitai.com/models/2369964?modelVersionId=2665263
 </a>




 This variant is defined almost entirely by light as a sculpting tool rather than illumination. Forms are carved out of darkness using aggressive rim-lighting, hard edge highlights, and razor-clean ink contours, with interiors intentionally collapsing into near-black void. Colour is sparse and deliberate, usually cold cyan, white, or electric blue accents, used to emphasise silhouette, scale, and threat rather than surface detail. It excels at iconic standoffs, colossal scale contrasts, mechs, titans, lone figures facing overwhelming forces, and cover-style compositions where readability at a distance and instant visual impact matter more than texture or environment detail

Edge

( Not my Model )


 <a href="https://civitai.com/models/2369947?modelVersionId=2665244" rel="noopener noreferrer nofollow" target="_blank">
 https://civitai.com/models/2369947?modelVersionId=2665244
 </a>




 This variant is built for confinement, threat, and sustained tension. It leans hard into heavy black ink, brutal contrast, and aggressive alcohol-marker blocks with uneven saturation and visible overlap. Composition is corridor-driven, geometry-first, and deliberately claustrophobic: long vanishing points, hard architectural frames, and figures reduced to silhouettes or rim-lit forms. Colour is restricted and weaponised, emergency reds, sickly greens, cold teals, with light used as an intrusion rather than illumination. It excels at underground facilities, damaged spacecraft, prisons, tunnels, and any scene where the environment is actively hostile and the character is under pressure rather than in control

Dark

( Not my Model )


 <a href="https://civitai.com/models/2369936?modelVersionId=2665236" rel="noopener noreferrer nofollow" target="_blank">
 https://civitai.com/models/2369936?modelVersionId=2665236
 </a>




 This variant is tuned for clarity, warmth, and visual approachability within the Nano Alcohol graphic-novel language. It emphasises clean, confident inked linework, open compositions, and a vibrant, welcoming palette with balanced contrast and even lighting. It excels at sunlit exteriors, travel scenes, social moments, and hopeful science-fiction or everyday narratives where readability, colour harmony, and a sense of calm forward motion matter more than tension or grit

Bright

( Not my Model )


 <a href="https://civitai.com/models/2369920?modelVersionId=2665215" rel="noopener noreferrer nofollow" target="_blank">
 https://civitai.com/models/2369920?modelVersionId=2665215
 </a>




 This is the baseline observational model the rest of the Nano Alcohol family is built on. It prioritises restrained British graphic-novel realism: confident but imperfect hand-inked linework, alcohol-marker blocks with visible bleed, muted palettes, and controlled contrast that preserves texture over drama. It excels at grounded figures in believable spaces, capturing fatigue, weather, stillness, and quiet resolve without exaggeration, making it the default choice for narrative scenes where tone, materiality, and emotional credibility matter more than spectacle or abstraction